DO YOU HAVE WHAT IT TAKES TO BE IN THE APHILLIATES STREET TEAM???
WHAT SKILLS CAN YOU PROVIDE?
WOULD YOU PUT ON FOR YOUR CITY?
WHAT DOES LOYALTY MEAN TO YOU?
WE'RE LISTENING!
Note: Those who don't reply to this discussion will not be considered.
Mail all press kits and resumes to aphilliatesstreetteam@gmail.com
PAY ATTENTION!!!
WOULD YOU PUT ON FOR YOUR CITY?
WHAT DOES LOYALTY MEAN TO YOU?
WE'RE LISTENING!
Note: Those who don't reply to this discussion will not be considered.
Mail all press kits and resumes to aphilliatesstreetteam@gmail.com
PAY ATTENTION!!!
Replies to This Discussion
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Permalink Reply by YUNGBOYMAFIA on -
i have a well indept knowledge of promo marketing and i have done promo for a underground label im a die hard hustler i kno da real meanin of grind hard to get dis paper yes i would tru to life i does dat from my hometown dc to atl tru facts loyalty means dat no matta wat u stick it out wit those u started wit and be real becuz loyalty is all dat u have no matta wat stay loyal cuz in da end loyalty gives u a self worth
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Permalink Reply by DIRTY E & The YFC on -
Consistency Just as you need creativity in music, you need that much creativity in marketing your music. So you have recorded the hottest music not heard thus far (so you think) what next? Well you need to make the world know that music is out there for consumption. I’m not talking about posting 500 bulletins on MySpace, and face book. I’m talking interviews, song posts, mixtapes, ads, giving free merchandise. I know the world is in a recession, that means there aren’t that many jobs and money out there for the common folk, but hell whether we got 100 dollars or 5 we buy music. We might buy your single, and bootleg the cd, but we gonna get something. You can stop stalking the DJ, cause he not going to support you right now. Everyone who is comfortable in the game wants to stay that way so why gamble. So what do you do? Well you don’t start a stupid beef before your album drops, because it’s been done a million times, and after a while no one really cares. Take 50, and Ross we know this is a stunt, but 50 is entertaining so we indulge. This may work for the two, but you; you’ll be done before you put out the record. Instead invest your money, print up some flyers, posters, buy some eblasts, and build with some sites. Buy ad space on websites, and promote the hell out of your project. Who cares if it sucks? Half the music out sucks right now anyway so you’ll be right in with the rest. Two things will happen you’ll gain fans, or you won’t. If it’s decent, and you put in the right energy I’m sure it will be a success. Consistency: stay consistent with what you are doing. Stay relevant, stay out there. Your name has to always be attached to as many things as possible. This goes for all you managers and PR people, if you have an artist that isn’t taking an interest in promoting themselves, because he thinks it’s your job. Please leave that scum as fast as possible. It’s not only the PR, Promotions Company, or mangers job to gain you exposure it’s yours as well. If you aren’t actively involved with your own career I have a contract right here you can sign. All it requires is you pay me 50,000 up front, no royalties, and I get to stick this broomstick where it hurts, because you’re screwing yourself anyway. Don’t just throw some flyers out for a week, you gotta do it every week for 6 months, you gotta call OZONE Mag until someone listens to your damn CD, Email the piss out of DJs until they report you for spam, or play the record. No one works for free; you want people to buy your music so pay people to do their jobs. You need a street team pay for one $100, for every 5,000 flyers that’s worth it. Cmon people our President is black, lambos aren’t blue, but who will notice……. Dirty E and the YFC the Gulf Coast is ours!! http://www.myspace.com/dirtye93
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03) Get Used 2 It.mp3, 3.2 MB -
04 We Gettin it.mp3, 3.6 MB
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ButtaHeadclean(C-CityRyderz).mp3, 3.8 MB
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Permalink Reply by Aphilliates Street Team on -
real talk. Hit me E...aphilliatesstreetteam@gmail.com
DIRTY E & The YFC said:
Consistency Just as you need creativity in music, you need that much creativity in marketing your music. So you have recorded the hottest music not heard thus far (so you think) what next? Well you need to make the world know that music is out there for consumption. I’m not talking about posting 500 bulletins on MySpace, and face book. I’m talking interviews, song posts, mixtapes, ads, giving free merchandise. I know the world is in a recession, that means there aren’t that many jobs and money out there for the common folk, but hell whether we got 100 dollars or 5 we buy music. We might buy your single, and bootleg the cd, but we gonna get something. You can stop stalking the DJ, cause he not going to support you right now. Everyone who is comfortable in the game wants to stay that way so why gamble. So what do you do? Well you don’t start a stupid beef before your album drops, because it’s been done a million times, and after a while no one really cares. Take 50, and Ross we know this is a stunt, but 50 is entertaining so we indulge. This may work for the two, but you; you’ll be done before you put out the record. Instead invest your money, print up some flyers, posters, buy some eblasts, and build with some sites. Buy ad space on websites, and promote the hell out of your project. Who cares if it sucks? Half the music out sucks right now anyway so you’ll be right in with the rest. Two things will happen you’ll gain fans, or you won’t. If it’s decent, and you put in the right energy I’m sure it will be a success. Consistency: stay consistent with what you are doing. Stay relevant, stay out there. Your name has to always be attached to as many things as possible. This goes for all you managers and PR people, if you have an artist that isn’t taking an interest in promoting themselves, because he thinks it’s your job. Please leave that scum as fast as possible. It’s not only the PR, Promotions Company, or mangers job to gain you exposure it’s yours as well. If you aren’t actively involved with your own career I have a contract right here you can sign. All it requires is you pay me 50,000 up front, no royalties, and I get to stick this broomstick where it hurts, because you’re screwing yourself anyway. Don’t just throw some flyers out for a week, you gotta do it every week for 6 months, you gotta call OZONE Mag until someone listens to your damn CD, Email the piss out of DJs until they report you for spam, or play the record. No one works for free; you want people to buy your music so pay people to do their jobs. You need a street team pay for one $100, for every 5,000 flyers that’s worth it. Cmon people our President is black, lambos aren’t blue, but who will notice……. Dirty E and the YFC the Gulf Coast is ours!! http://www.myspace.com/dirtye93
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Permalink Reply by YUNGBOYMAFIA on
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Aphilliates Street Team said:
i kinda get wat u sayin but all da music out is hot and dj's dont bootleg music dey promote artist music in there own way u gotta undastand da artist came from da dj so really u cant be an official artist witout a dj real spit and becuz it is a recession doesnt mean da dj does not support someone dj are the life of the party dey will always support and be supported by good music so just to let u kno da formula to good music wit always have a dj in da mix but really if ya wen ya commin to dc cuz i still tryin find outso i can party wit ya seriousreal talk. Hit me E...aphilliatesstreetteam@gmail.com
DIRTY E & The YFC said:
Consistency Just as you need creativity in music, you need that much creativity in marketing your music. So you have recorded the hottest music not heard thus far (so you think) what next? Well you need to make the world know that music is out there for consumption. I’m not talking about posting 500 bulletins on MySpace, and face book. I’m talking interviews, song posts, mixtapes, ads, giving free merchandise. I know the world is in a recession, that means there aren’t that many jobs and money out there for the common folk, but hell whether we got 100 dollars or 5 we buy music. We might buy your single, and bootleg the cd, but we gonna get something. You can stop stalking the DJ, cause he not going to support you right now. Everyone who is comfortable in the game wants to stay that way so why gamble. So what do you do? Well you don’t start a stupid beef before your album drops, because it’s been done a million times, and after a while no one really cares. Take 50, and Ross we know this is a stunt, but 50 is entertaining so we indulge. This may work for the two, but you; you’ll be done before you put out the record. Instead invest your money, print up some flyers, posters, buy some eblasts, and build with some sites. Buy ad space on websites, and promote the hell out of your project. Who cares if it sucks? Half the music out sucks right now anyway so you’ll be right in with the rest. Two things will happen you’ll gain fans, or you won’t. If it’s decent, and you put in the right energy I’m sure it will be a success. Consistency: stay consistent with what you are doing. Stay relevant, stay out there. Your name has to always be attached to as many things as possible. This goes for all you managers and PR people, if you have an artist that isn’t taking an interest in promoting themselves, because he thinks it’s your job. Please leave that scum as fast as possible. It’s not only the PR, Promotions Company, or mangers job to gain you exposure it’s yours as well. If you aren’t actively involved with your own career I have a contract right here you can sign. All it requires is you pay me 50,000 up front, no royalties, and I get to stick this broomstick where it hurts, because you’re screwing yourself anyway. Don’t just throw some flyers out for a week, you gotta do it every week for 6 months, you gotta call OZONE Mag until someone listens to your damn CD, Email the piss out of DJs until they report you for spam, or play the record. No one works for free; you want people to buy your music so pay people to do their jobs. You need a street team pay for one $100, for every 5,000 flyers that’s worth it. Cmon people our President is black, lambos aren’t blue, but who will notice……. Dirty E and the YFC the Gulf Coast is ours!! http://www.myspace.com/dirtye93
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Permalink Reply by YUNGBOYMAFIA on
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but yea erybodee is eatin dont get me wrong im happy erybodee eatin but why not share da plate wit people dats hungry believe me deres people like me dat would give dere right arm 4 just one chance no matta wat
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Permalink Reply by Joe Buti on -
I'm a 14 year old tryin' to eat. I've been rappin since I was in diapers. I peeped the game out for along time and a deal like this doesn't come very often. I think like I'm grown and eat like I'm grown. I work hard when I'm in the studio because it's not everyday someone like me gets to surrond themselves with music for hours at a time. It's been a long journey coming up and one thing I've learned is the key to sucess. Loyalty is this key. Now without Loyalty there is no respect, and without respect theres no power.. So loyalty fits in very important in this rap game.. Im from South Bend Indiana.. Not alot of people come up around here.. Most of us don't really have futures.. Im tryin' to break that boundary and set the standards for us.. The midwest needs alot of help right now.. I want to be that help.. So please Please get back at me.. Im goin to the studio tommorow.. Ill post some songs up then!
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Permalink Reply by clos trod on -
i got what it takes...im 17 from a city by philly (allentown).... im not cocky but i know im nice... give me a pen an a pad an ill write da illest shit youve ever heard... from da hood na mean a nigga tryna eat... i do my thang i got tracks already... aint tryna blow jus lettin ya know bout a nigga dat can ryme his ass off an has potential to be sumthin in dis rap / hip hop industry... holla
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Permalink Reply by Dj Scrill on -
I can provide a superior work ethic. I am a DJ,Record Label Owner and e-marketing beast. Although my brand is not as large as a Dj Drama(Yet) I have made it this far standing on my own two. I virtually do it all, period.
Constantly I put on for my city. When people think of the Texarkana Area which its still not completely on the map, they think of Dj Scrill. I am one of the few djs that has an effective street team of my own in the area. Presence is key in this business and that is one of my focuses when I promote in the city.
Loyalty is sticking to your guns when its not politically correct. Haters are everywhere and they are always attempting to get you to go against the people who are 100% with you to infiltrate. This is where loyalty comes out and you let them know, you are entitled to your opinion about a topic, but I'm riding with the people who have my back and helped me get here. That's what loyalty means to me.
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Permalink Reply by DJ PRINCE on -
WHATS GOOD DJ PRINCE FLEET DJS, NORTH CAROLINAS #1 STREET DJ(STREET PAPER MIXTAPES) TODAYS EXCLUSIVE MIXTAPES DOING OVER 60,000 WEEKLY DOWNLOADS, MYSPACE.COM/DJPRINCENY
GOT MY OWN DVD DROPPING, ON THE RADIO & MUCH MORE, PUT ME DOWN, I CAN BE A BIG HELP TOWARDS THE TEAM, DJ PRINCE...
(910)548-7485
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Permalink Reply by SALTY"DAT RASTA BOI" on -
THE SKILLS I BRING IS IM BORN INTO THIS MUSIC SHIT, I PRODUCE,WRITE MY ON SHIT, ,MIX, A MONSTER ON THE ONLINE PROMO,ALOT OF TALENT AND SKILLS ALSO IM A COOL LAID BACK DUDE BUT ALWAYS BOUT BIZ!
DO I PUT ON HELL YEA IM IN TUNE WIT THE PEOPLE AND ALWAYS PROMOTING SHIT IN MY AREA PUTTING FLYERS UP AND ALL THE MIXTAPE SHOPS AROUND TOWN KNOW ME FIRST HAND ETC......
LOYALTY IS EVERY THING.
PUT ME DOWN !!!!! - "SALTY MOBSTA"
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Permalink Reply by Doomship CEO on -
Basically, hell yeah I do.
I keep my ear to the streets at all times and if it aint bumpin in the hood I really aint into it that much. I listen to the local artists where I live as well and I even buy CD's and check out local shows. Im affiliated with a couple local movements where I live occasionally I touch the production boards or rap.
I can promote my ass off and thats the only way I ever got my own website going and I only been on the internet for two years. My name is known on many sites and I got my own podcast that I air on many sites as well ( mostly sports talk)
But yeah, I got no prob taking on a job like this especially since I own practically every gangsta grillz mixtape made and it MOSTLY reflects my same taste in music and ear for talent. I pretty much catch artists before they're mainstream through mixtapes and i give everything a fair listen but if it aint hood, i aint gonna feel it too much.
Right now I know a good movement or two where Im at that would be worthy of consideration and as a part of the team, I get down for mine.
Let me know if we can do business. thedoomship.com or twitter.com/thedoomship or just google the doomship. or whatever method yall use.
I need some more affiliates anyways...might as well be with The Aphilliates
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Permalink Reply by tre factor on
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hell yeah i can provide any skillz yu need i mean dAmn dad lol of course ima put on 4 my city im factor ass tre lol dont think im being cocky thats jus hella confidence.. loyalty tho thats a key thang... witout loyalty den basically yu fuked on mamas tho..... it get real sick out here... 4 yu niggaz hangin wit dese unloyal ass niggaz u sugary ass niggaz betta get it tagggggeeeettttthhhha... 16 years old rockin nd performin on u bitch ass unloyal ass niggaz
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